Woodwork by Oindrila Mukherjee

Woodwork by Oindrila Mukherjee

Down in the basement, Aurobindo sat hunched on a low stool. A cloud of sawdust floated above him. His left hand gripped a rectangle of wood. In his right hand was the carving knife. From time to time he snorted in frustration, and looked searchingly at the row of chisels that lay on the bench next to him. But mostly he felt relief. Here, there was no talk of green cards or layoffs. The fireworks that had begun to go off in the neighborhood in anticipation of July 4th were not audible down here. He heard nothing besides the soft, dry sound of wood chipping.

Drink Brother, For The Pain by Zora Mai Quỳnh

Drink Brother, For The Pain by Zora Mai Quỳnh

January 31, 1968, Tết, Huế, Vietnam 

I travel. In my sleep. It is something I have always been able to do since the first life. So when the Việt Cộng besieged our city and dragged us one by one into the streets, I was already envisioning the dense forests of the Central Highlands. All I had to do block out the chaos and fall asleep.

Other Black Girl Collective by Rachel Eliza Griffiths

Other Black Girl Collective by Rachel Eliza Griffiths

The idea of "control" is an illusion when attempting to create a "portrait" of another being.  For me, there is the anticipation of a moment that will be unexpected, perhaps very dramatic, or a mood of something entirely else, for both subject and photographer. I like Carl Phillips' sensibility (he applies it to poetry), "…what I'm always after. Nothing gutless, and nothing without its ability to surprise."