In a city that’s almost entirely white, a black boy with an afro who no longer believes in God holds a Japanese sword in his hand as a white man fires off a flurry of shots.
Kweli is a 501(c)(3) nonprofit organization supported by readers like you and by grants from organizations including the New York State Council on the Arts, Community of Literary Magazines and Presses, Amazon Literary Partnership and the Whiting Foundation.
Kweli Journal is supported in part by an American Rescue Plan Act grant from the National Endowment for the Arts to support general operating expenses in response to the COVID-19 pandemic.